This volume offers an overview of German artist Ulrike Ottinger (born 1942), whose films explore the tensions between documentary and fiction.

The first English-language scholarly collection of articles on the German artist and filmmaker Ulrike Ottinger. This book collects international scholarship on the Berlin-based artist and filmmaker Ulrike Ottinger.

In addition to commemorating the death of a once-vital art form, this book also affirms Ottinger’s defiantly optimistic turn toward the documentary film as a means of mediating present clashes between tradition and modernity, between the ...

She bought a ticket 'Aller jamais retour. Berlin Tegel'." This is the opening scene of Ulrike Ottinger's momentous 1979 film Ticket of No Return -the woman of high beauty was Tabea Blumenschein.

Journée d?un G.I.± is Ulrike Ottinger?s third solo exhibition at Contemporary Fine Arts Berlin and features paintings and serigraphs from the 1960s.

Ulrike Ottinger belongs to those pioneers of art cinema who recognised the possibilities of film as a continuation of their work early on.

As a painter, filmmaker, and photographer, Ulrike Ottinger has created an entire artistic universe, a Cosmos Ottinger.