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Narrative Form in the Novels of Nagai Kafu Stephen Snyder. The question of how much this misogynistic vision of sexual politics enters into Kafû's fiction is a complex one. Isoda Kòichi argues that Kafû's lifelong fascination with and ...
Stephen Snyder examines Kafu's fiction in terms of narrative strategy, placing him squarely within some of the most important currents of literary modernism--at the nexus of Naturalism and the largely antithetical development of the ...
... Kafû the Scribbler by the issue of how to “read” Kafû's wartime diary, Danchòtei nichijò, given the revisions and editorial emendations that Kafû made after the war. (In a “Postscript on the Diary,” he exonerates Kafû of aspersions he ...
... Kafû can be regarded as the prototype of the diachronic flâneur. Kafû depicted a Tokyo that was very different from the new Tokyo as it was outlined by the government's modernisation policy and represented in official guidebooks of ...
... Kafû, Shin kichôsha nikki [Diary of a Person Who Has Just Returned from Abroad], in Nagai Kafû, Nagai Kafû shû [Selected Works of Nagai Kafû], vol. 1 (Tokyo Chikuma Shobô, 1969), 205. 59. See Endô Shûsaku, Ryûgaku [Studying Abroad], in ...
... Kafû , Honolulu : University of Hawaiʻi Press 2000 . “ Chapter 1 : Ôgai , Kafû , and the Limits of Fiction " , 8-33 . " Ôgai as Model , Fiction as ' Uso ” , 12–14 . “ Experiments in Narrative Desire ” , 14–19 . “ The Meaning Is the ...
... Kafû. Kafû's writings about Tokyo continue to be consulted as guidebooks for the city, even as they are strong statements of the inseparability of the real from the literary. Kafû's 1937 Strange Tales from East of the River is a ...
First published in 1937, this is a book both modern and nostalgic.
... Kafû (1879–1959) and his disciple Tanizaki Junichirò (1886–1965), became known as “aesthetes” or “decadents.” Whereas the naturalists proclaimed a scientific interest in all aspects of life, no matter how trifling, such aesthetes as Kafû ...
... Kafû pointed out in his famous essay of 1919, “Hanabi” (“Fireworks”), this incident seemed to have the same meaning for Japanese writers that the Dreyfus affair had for French writers just a few years earlier: a trumped-up charge of ...