fr. EMPIRE. A HOCKNEY WARHOL, 1974 HE SECOND- FLOOR SITTING ROOM IN WARHOL'S TOWNHOUSE. "HUGHES IS. BIG. MONEY. AND. BIG. QUESTIONS. BY. JOHN. TAYLOR. WARHOL HAD GADGETS AND GEWGAWS. HE HAD MASTERPIECES ALONGSIDE JUNK. TT HAD BEGUN TO ...
... Warhol, that he might be a mortal being after all, came three weeks ago. It was a Friday night, and after dinner with friends at Nippon, he was planning to see Outrageous Fortune, eat exactly three bites of a hot-fudge sundae at ...
... Warhol, 1967, c 1992 The Estate and Foundation of Andy Warhol/ARS, N.Y. A LOT OI= JUNK WAS IN THAT 5CTHI Ed Hayes. friend, adviser, and business manager who'd met the artist in 1966 and was intimately involved in running Warhol's career ...
... Warhol had bought prime real estate: the Factory, off Madison Avenue; a house at 1 342 Lexington Avenue, at 89th Street, which Hughes was leasing for $9,000 a year; a compound in Montauk, which Warhol had bought with the filmmaker Paul ...
... Warhol Foundation for the Visual Arts, and Edward W. Hayes (the former lawyer for both the estate and the foundation) have quarreled over this question. Last month, a judge finally decided what Warhol was worth. In the process, she also ...
... WARHOL'S HOARD IN SOTHEBY'S WAREHOUSE THE PLANE TRUTH: Cohn found the veep arrogant. less, some of his friends think that, with the licensing deal, Hughes is prostituting Warhol's name. "Andy wouldn't have done it," says one longtime ...
... Warhol pressed on. "What should I paint?" he asked them, in his first foray into market research. Self- portraits, Karp said, and cows. Death, said Geldzahler — car crashes, disasters, electric chairs. Warhol followed every suggestion ...
... Warhol had gadgets and gewgaws and bric-a-brac. He had masterpieces alongside what would seem to be junk of the most worthless sort. "When you first came in here, you thought, 'What a weird thing,' " Hayes says. Warhol's mania for ...
... Warhol, whose life is now on display at the Whitney, in 1978. e v Seventeei . . consecutive year, base— and we're. ANDY WARHOL IS ONE OF THE GREAT DANDIES OF the twentieth century. His most important creation is not his painting, which ...
... Warhol's strange trove may be an artwork itself, the most. and Fred Hughes disliked each other. Their mutual antagonism had been encouraged by Warhol, who enjoyed provoking such hostilities to reinforce his own control at the Factory as ...